Roland Gr-55 Floorboard Editor For Mac
GR-55 FloorBoard is a small, easy-to-use application specially designed to offer you a MIDI editing tool for use with the Roland GR-55 guitar synthesizer.
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GR FloorBoard is a midi editor for use with the Roland GR-55 guitar synthesizer. Main features: - Graphical patch editing of GR-55 parameters in realtime. - Save and Reload User patch and System data. - Create custom patches for sharing to other GR-55 users. Software Description: GR-55 FloorBoard is a small, easy-to-use application specially designed to offer you a MIDI editing tool for use with the Roland GR-55 guitar synthesizer. This tool allows graphical representation of the internal settings and parameters of the GR-55. Realtime editing and patch data backups are also offered. Free download GR FloorBoard forMacOSX. GR FloorBoard is a midi editor for use with the Roland GR-55 guitar synthesizer.
I literally had to hide my Roland GR-55 Guitar Synthesizer under the couch, safe from view. This unassuming piece of gear (it only sports a few buttons and five main foot controls), started taking over my life — 15 minutes just to 'test out' a new sound design became 2 hours and 15 minutes later. As soon as you innocently dive into its vast functionality, you'll find yourself late for work, lunch, or that important meeting — or worse yet, for dinner with your loved one who just left you seven voicemails because you couldn't hear through the heavenly noise. Yes, the GR-55 is like an addiction, and pretty soon, there may be AA meetings offered for GR-55 users. To start with the basics, you need a special GK pickup to tap into this magic box — either through the easily and temporarily installed GK-3 outboard version, which you can buy bundled with the GR-55, or a separately sold internal one called the GK-KIT [ Tape Op #103 online]. I much prefer the latter because I'm an aesthetic snob, and I think the outboard version looks obtrusive on a classic axe. Of course, there are also a myriad of manufacturers that are making 'GK ready' axes which I won't go into here.
Since I mentioned the look of the outboard pickup, I'll quickly comment that the GR-55 floorboard itself is beautifully minimal in design and exceptionally constructed. At first play, scrolling through the sounds, I admit I was underwhelmed and concerned.
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Like with many multi-effects pedals that give you a bajillion options, most of the presets are caricatures to demonstrate ability rather than nuance. The difference is the GR-55 transcends this with its many parameters and overlapping sound modules that can be micro-adjusted. The sonic flowchart goes something like this: At the top of the chain are three choices for tone. Two completely separate PCM synths can generate anything from convincing pianos to spacey galactic swoops. A separate COSM modeling tone gives you an arsenal of real and virtual axes at your disposal, including the venerable GR-300 made famous by Pat Metheny. And of course, there's the normal pickup tone. By default, the modeling and pickup tones can be fed into a great set of COSM amp models and effects, while the PCM synths have their own multi-effects.